![]() ![]() ![]() I used to select images simply from the editor window. Smart adjustments have sped up my editing by quite a lot, and unfortunately, I don’t know of other software that has this feature. As this messes with exposure, I can't simply apply a style. The main difference between smart adjustments and simply copying and pasting settings is that when I work on location, my lighting might change quite a lot depending on weather conditions. As I like to color grade and then cull images, it is important for me to see the final product. One problem with using presets, though, is that if your image is not properly exposed, it won’t work as well, and you’d have to go and make each individual adjustment. That speeds up my workflow by a lot and lets me keep a cohesive visual style to my images and work. I use a bunch of different custom presets. While this is by no means an exhaustive list, it shows some of the latest features that made my workflow much smoother. Let's talk about some of the things that make Capture One 23 stand out for photographers. This, and so much more, is why you should switch to Capture One 23 now. The latest iteration of Capture One also introduced Capture Pilot, which allows you to share your images with your clients for preview and selection. Being software designed primarily for full-time pros, there are features such as tethering and batch exporting, which may not be found in other photography software. Of course there are many other reasons that make Capture One superior to other raw file editors, but those are my top reasons.Capture One is regarded as the software to use if you are a professional photographer working with big clients and big budgets. It allows such a fine level of color control that I am able to do the majority of my work within Capture One Pro and then I finish my work in Affinity Photo. I love the color editor tool and that I can do luminosity masking within this program. Capture One doesn't ever seem to slow down when I'm adding additional layers for the kind of edits I make. So it becomes really painful, and as most people know Lightroom is slow when adding or manipulating multiple brushes. ![]() While I know that in Lightroom you can add brushes and range masks, they just give you these little dots to manipulate and there's no way to name or organize things. The fact that I can work in layers within a raw file editor is a game-changer. No matter what camera I’ve ever shot with from any brand, Capture One Pro has always delivered the finest image quality out of my raw files - especially when I’m working with the Fujifilm X-Trans files. Now, before I actually dig into this edit I’d like to mention three things that I love the most about Capture One Pro: Today I will be discussing how I use both Capture One Pro and Affinity Photo to produce the work that you see on my website, and will take you behind the scenes a little bit to show you my process while editing an image I photographed at the Egg Harbor Library shoot featured in the video linked here: Egg Harbor Library It’s often buggy, sluggish (no matter how maxed out my computer is), and never gives me the absolute image quality I know my cameras are capable of - and that I demand.Įnter Capture One Pro and Affinity Photo, two powerful programs that not only give Adobe a run for their money, but vastly outperform the offerings from Adobe on so many levels - in my professional opinion. In this tutorial I show you my simple architectural photography workflow while editing an image in Capture One Pro and then doing the finish work in Affinity Photo - no Photoshop needed! Knowing how to edit your raw photos is an important step to delivering great photos to your clients.Īdobe Photoshop may be considered the industry standard and go-to software for many creatives, but I have always had a hate/love/ hate relationship with Photoshop and Lightroom over the years. Take your architectural photos to the next level by using the two most powerful editing programs available - Capture One Pro (v12) and Affinity Photo. ![]()
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